No mere psychedelic bullet-sponges, GW3’s mega-mooks are - in the majority - intricate, arcane, multi-stage puzzle-boxes of intense, problem-solving combat. All of it is the most basic level on which Geometry Wars 3 operates. That shifting, central choke-point is a constant blessing and curse. A simple, circular arena becomes a cat-and-mouse seesaw of control, as two walls rotate around its rim like the blades inside a washing machine. The peaks of domed areas and the corners of cuboids can offer powerful, king-of-the-castle advantages if you can hold them, but are also incredibly high-risk areas due to their reduced visibility of the overall warzone. The spiralling playfulness of GW3’s level design changes everything. It’s an incredible, immensely gratifying feeling. Those always-troublesome rows of orange rockets are terrifying the first time their formation spreads to stretch around a spherical play area, but once you realise that, logically, they have to come back together at the other side? You can dodge, fire a salvo behind yourself at the opportune moment, and know – without even looking - that they’re not coming back around to bother you a second time. You’ll start to discover radically new, deeply satisfying sides to – and interactions with – the series’ traditional enemy AI types.

You’ll find that a boss enemy’s bubble-shield isn’t actually an annoyance, but a strategic, environmental opportunity, its chaotic, 180-degree deflections bathing the grid with cleansing gunfire more effectively than you ever could on your own. Not long after, you’ll start to realise the true power and potency of GW’s new set-up.

You’ll be giddily impressed the first time you fire a stream of shots to the other side of a gleaming, glitterball moon, or spin around on the corner of a cube, showering three sides of it with a rainstorm of glowing gunfire. This is precise 2D gameplay exploded to take in boggling, free-wheeling, 3D strategies.

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